Marinating Vocabulary

‘Marinating Vocabulary’.  I heard Pam Allyn, a guru on reading and reading-aloud, speak those words last week.  They hit me like a stone.  Each time I read aloud from a chapter book those words do far more than go into the brain.  They truly marinate, by mixing words with feelings, life experiences, and the comfort of a ritual.  The lovely repetition of sounds and words is holistic, giving reading aloud a greater importance.

Ritual is essential.  Finding a time to read aloud every day means that you will do it, and enjoy it along with your children.  Life is way too busy; one parent commented that by the time dinner was over and homework was done, both the children and the parents had no energy for reading aloud, it was a chore.  Bedtime is the typical time for reading aloud, yet it may not be a good time.  Whoa!  I had never thought about family reading aloud at a different time.  Have you?  Well, Jim Trelease, author of The Read Aloud Handbook, most certainly has.  I distinctly remember the photo of him reading aloud to his older children as they washed the dinner dishes.  He found the right time for the ritual of reading aloud.

When you find that right time and begin reading aloud in earnest, the dialogue will become far more than words.  Children will remember the story, yet they will most remember the sound of your voice; how you say the words and read the story.  That’s what makes the words ‘stick’, and that’s what marinates vocabulary.  That’s why my chapter reading and my storytelling to children is what they remember.  Pam Allyn talks about ‘putting your voice into someone else’s heart’.  My grandmother read to me, and that was my strongest connection with books.  She was my heart, and I can still recall what I was thinking every time she read to me.  Marinating vocabulary.

By the way, the sign of true innovation is flexibility.  So, reading can be in many forms.  Looking at words in print, whether in a book, on a iPad, in a newspaper, in comics, or other formats are…well, reading.  That’s a good thing.  Be flexible in everything from scheduling reading to what your child is reading.  As long as reading is happening, that’s all that matters.  You are making a difference by doing so.

Bottom line:  Children who have been read to, and have access to books, are academically one year ahead of their peers in school, in all areas.  Now, that is powerful!

Jennie

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Why Do I Write Picture Stories and Read Chapter Books?

My first project of the school year is writing picture stories with the children.  Language is critical to learning in all academic areas, so its only natural that creating picture stories is an excellent tool for teachers. Its a fun activity for children, because they want to tell you a story.  Yet, children really have to think in order to do this.  They must pull words from their heads to tell a story.  Here is an early-on picture story:

picture story, Luca

As the year progresses we begin to write group stories.  This is a great way to build upon the multitude of books we read, and give children an opportunity to use their rapidly developing vocabulary and language in order to create stories with depth.  Writing is as important as reading aloud, with a real push to use those words they hear. Creating a story as a group has the added benefit of boosting children’s social and emotional skills. Here is an example of what children can write (and I never change a word):

Aqua Room Story

When we changed our hallway display to highlight our unit on Bears, we had to stop and read, yet again, our own classroom story of Goldilocks and The Three Bears. Other classes also delighted in reading our story, as their trips down the hallway to the bathroom included eagerly stopping to read. Parents and families took time to read it.  The the story was surrounded by bears children made from tracing and cutting circles, and from tracing actual stuffed bears.

In the words of the children, the big chair was ‘rough’, not hard. Mama’s bed was ‘fluffy and puffy’, not soft. These are very descriptive vocabulary words for three and four-year-olds. Not only are the words in our story expressive, the text is long. How did this happen? To start with, we read picture books every single day. We have planned, scheduled books to read, and unplanned, spontaneous reading. Our bookshelf is always packed with books, and children are free to read them whenever they want to… and they do, all the time! The children like to sit in the teacher rocking chair and ‘read’ to a group of friends, or read on the couch to ‘Gloria’, or simply read to themselves.

Then, we chapter read. This is really a very intimate time of our day, because chapter reading has no pictures, and forces children to listen, think, and come together. There is nothing but the words we are all hearing together. It takes us forever to get through a book because we stop to ask questions and talk about what has happened, all the time. Today we stopped to talk about an anchor.  We are reading The Story of Doctor Dolittle,  and today Doctor Dolittle found a boat to travel to Africa. Polynesia the parrot told him all the things he would need to have for the journey, including an anchor.

Now we get complicated and even more language-based. The discussion of an anchor started with describing the shape and the size. Finally a child said, “It’s a big line, and a big curve, like an I and a C”. Another child asked what it really does, so we talked about how it is attached to a rope, and sinks to the bottom of the sea in order to stop the boat. We then talked about why a ship moves in the ocean. Can you picture these thirty minutes of listening, language, thinking and reasoning? Chapter reading opens the door to words, and words open the door to the world. It’s as simple, and as complicated, as that. When we read Charlotte’s Web, the words that children asked about were ‘irate’, ‘curiosity’, ‘tremendous’, and ‘radiant’. How wonderful!

When we write stories, or picture stories, it gives children the opportunity to use all those wonderful words they have heard, over and over again, through our picture books and chapter reading. Now, it is their turn. Instead of listening and learning, they are taking their own experiences, using what they have learned through reading, and making stories. That is why their stories are rich in vocabulary and text. Writing stories also increases social skills, language skills… and confidence.

We were very fortunate to have Jim Trelease, the author of the million-copy bestseller, The Read-Aloud Handbook visit our classroom. I highly recommend this book to parents. It tells you all the reasons and benefits to reading aloud, and gives book recommendations for all ages. I have used this book since my children were very little. Did you know the number of words a child hears is directly related to how s/he will do in school? That is why we read at school, and why we encourage you to read at home! Imagine if you turned on the closed-captioned component on your TV, and your child always saw the printed word. Powerful, indeed.

Jennie

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The Importance of Storytelling

Storytelling is akin to reading aloud. It ignites the mind and the spirit. It is the most important thing I do in my classroom, as year after year students return and want to hear those words again.

MichelleSaulTheWordWitch

Currently in my Irish Literature class we are reading the novel Ireland by Frank Delaney. This novel focuses a lot on storytelling and the importance of telling stories to each other. The main character, Ronan, is deeply impacted by a storyteller who visited his village when he was nine-years-old and his main goal in this novel is to find the storyteller who changed his life. Reading this novel made me think of when I was younger and would have people tell me stories about their life or the lives of people they knew and the impact they had on me. From a very young age, I was drawn to words, I was drawn to reading and writing. As a child, there was no better feeling than having someone read to me or tell me a story because for a time, I was in another world, a world that I felt…

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Dear Teachers, Joy is the Magic Word

Dear Teachers,

As you start your new school year there is one word that will get you through the uncertainty and the worry.  It’s the same word that is the heart of educating.  That word is ‘joy’.  No, it’s not the happiness that children bring.  It’s the happiness that you bring because it inspires and ignites the mind and the heart of children.  Yes, that’s how it works.

Children come to you with big eyes, looking at you to teach them.  They don’t know what to think.  They want to learn, yet what they really want is to be inspired to learn.  That is where you can make a difference.

What do you like?  Because whatever it is, from math to music, that ‘like’ will become your best buddy, your guiding star, and the foundation to teach all the things that you like.  It will also become a portal to help you teach the things you may not enjoy.  If you know that every day you have some window of time to teach what you love, then you become an educator.  You go beyond teaching curriculum; you teach the child.

Do you like reading?  Does Because of Winn-Dixie or Charlotte’s Web make your heart jump?  Well, carry that book around and read it aloud on the playground, in the lunchroom, or at the bus stop.  If this is your passion, children will know, and they will listen.  They will learn.

Do you like science?  Carry a tuning fork, magnet, magnifying glass or flashlight in your pocket.  Pick up interesting pieces of nature and explore them with children.  This is one of the fundamental constants for learning.  If you are grounded in nature and science, bring your curiosity and discovery to the classroom and the playground; then the world will open up for children.

Do you love music?  Sing your favorite songs, sing the words to a book, sing poetry, or just sing the words that you say.  If this is your passion children will know.  They’ll listen and learn.  Introduce children to the music you love.  I bring my record player and old albums into the classroom.  Some years they love Beethoven, other years the Beatles.  The point is, they will love the music because you do.

Do you love art?  Don’t be afraid to use real artist’s watercolors when introducing art.  Children enjoy learning about famous pieces of art, too.  If you treat a child like an artist and treat the work s/he creates like a masterpiece, the results are remarkable.  When a child has created something and is incredibly proud, ask the child to give the art a title and record that to the work of art.  This simple affirmation has done more for the confidence and character of children than most anything I have done.

You may only like one thing, but that alone will open the door to help you teach the rest.

We all know that the emotional and social pieces for children need to be ‘there’ before effective learning takes place.  Well, flip-flop that fact from the child to the teacher.  If you the teacher are not grounded in an emotional and social component of educating, then how in the world can you get your message across to children?  You have to share your love and passions.  That’s your joy.  In that way, you are sharing you.  And, all that children want to know is that you love them and love what you are teaching.  If they know that, the floodgates will open to learning.

Maya Angelou was right when she said, “…people will never forget how you made them feel”.  The children I have taught for decades often return to school to visit.  They can’t put a finger on what it was in my classroom, but they come back.  Joy is the magic word.

Jennie

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My Summer of Reading

This summer I immersed myself in great children’s books and quite a few young adult (YA) books that I’d never read, for a host of reasons.  So many wonderful books for older children were written when my children were very little.  At that time I was reading all the picture books I could get my hands on.  That started my passion for reading aloud good books, and yes, I became quite picky.  I knew the ‘good ones’.

A decade slipped by as I read furiously not only with my own children, but in my classroom.  I was building my library.  I was also building my greatest strength.  Then I began chapter reading.  To this day I can tell you where every family member was sitting in the den as I read aloud Little House in the Big Woods That was the turning point when I knew I could (and should) read good chapter books to preschoolers.  And I did.

This was way out of the box for preschoolers, yet I knew I could stretch those minds by painting pictures with words, reading with excitement, and always stopping to ask questions.  Oh, did it ever work!  I still wonder why teachers hesitate to chapter read to preschoolers.  My chapter book reading aloud became strong and successful for children. When Jim Trelease visited my classroom and included me in the latest edition of his million copy best seller book, The Read Aloud Handbook, I knew I was doing the right thing and doing it well.

So, this summer I set aside adult reading and dove into great older children’s and YA books.  It was the best summer of reading!  Here is the list of books I read:

Indian in the Cupboard,  by Lynne Reid Banks.  (A boy is faced with caring for and protecting someone that is both alive and miniature.  LOVED this book.  I’m reading it at the library.)

Because of  Winn Dixie,  by Kate DiCamillo.  (Dog lovers and people lovers, this book is about the courage of meeting many different people, and the open heart of a young girl.  This dog is the center of all that happens.)

Wonder,  by R.J. Palacio.  (This book is my MUST read for everyone.  A great kid, and ‘his story’.  He looks different, and he transitions into school.  His positive attitude and also the perspective of people around him are part of the story.)

A Wrinkle in Time,  by Madeline L’Engle  (This book must have influenced J.K. Rowling.  A girl helps to find her father, with the help of some ‘spirits’ and her brother and friend.  I think Mrs. Whatsit is my favorite character.)

The Witches of Worm,  by Zilpha Keatley Snyder.  (A spy adventure, along with a girl who is independent and finds a cat.)

From the Mixed Up Files of Mrs. Basil E. Frankweiler,  by E.L. Konigsburg.  (Children run away and hide in the Metropolitan Museum of Art.  They learn how to ‘survive’, and they discover amazing parts of the museum, like the angel statue.  That ignites a contact with the woman who originally had the statue.  The development of the characters in the museum is superb.)

Number the Stars,  by Lois Lowry.  (I am deeply moved by Annemarie.  She is not Jewish and neither am I, yet we both have dear childhood Jewish friends.  We both went to Temple and visited when our friends celebrated Jewish holidays.  Annemarie’s story is from Denmark in WWII.)

I plunged into every book.  I was a character in each book; protecting an Indian, traveling in time, defending, supporting dogs and cats, making magic, exploring the Metropolitan Museum of Art, being a Jew in Denmark, and championing  a great kid who sees the world in a wonderful way.  Many books are Newbery winners (no surprise). I can’t say enough good things about each book.

I think my summer of reading barely touched the surface of the great older children’s books I had not read.  YA books are just good as the normal fare.  Yes, I have read many, but not enough.  I’m on a roll!  It is never too late to read the books you have always heard about or wanted to read. Pleasure reading is as good as it gets.

Jennie

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The Peace Quilt; Yet Another Story

Every so often (and more often than not) I’m surprised with an email about a former student.  Typically it comes from the parent, regaling a wonderful experience with their child, directly related to something from their days in my classroom  Juliet’s adventure at MoMA discovering Starry Night is a classic example.  After decades of teaching, those emails, photos, letters and conversations are my rich rewards.

Then, there are the children who contact me directly well into their adulthood, like Michelle.  She has often asked me to retell the ‘Jennie Stories’ she fondly remembers, such as “The Peas and the Piano”.  She recently sent me this selfie with the Peace Quilt at the National Liberty Museum in historic Philadelphia.

Michelle and Peace QuiltShe wrote, “I was feeling homesick.  I visited this piece of Groton in Philadelphia.”  This quilt is my Blog photo; it’s one of the biggest projects I did with children and a path of emergent curriculum that led from making a book on Peace, to building a Peace Portal, to creating this quilt with a master quilter, Milly Cunningham.

Michelle remembers.  More than the quilt, she remembers words and language, reading and storytelling.  She wrote, “…the data is something that needs to be weaved into smaller doses”.  She refers to developing stories over time.  She’s right; as I tell and retell stories those words become the data from which to develop more stories and more thinking. In the words of Albert Einstein, “Imagination is more important than than knowledge.  For knowledge is limited to all we know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”

Well Michelle, you get it, or better yet you got it years ago in my preschool classroom.  It comes as no surprise that you work for a major literary agency.  You told me that “…often teachers read about the trees’ in education, but few are good at talking about the ‘forest'”.  You’re right.  When teachers see the forest, the trees grow, and the words and imagination flow.

Jennie

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Twists and Turns at Museums, Books and Art

A trip to a museum is much like climbing into a great book with a storyline of unexpected twists and turns.  Yesterday was no exception.  I visited the Eric Carle Museum in Amherst, Massachusetts.  It has the best bookstore I have ever been in, and I am really picky when it comes to books.  My husband actually told me one day that I was a book snob.  Ouch!  “I’m just picky because I know a good book when I read one” I told him. And, so many children’s books that I read are…well, let’s just say they’re ok.  Few have the power to make my heart race or put a lump in my throat.  So many of the books at the Eric Carle Museum do just that.

Before I went into the bookstore I checked out their current exhibit.  It was the illustrations of Fred Marcellino.  I admired his artwork of Puss in Boots.  Then I turned a corner and was face-to-face with the original artwork of The Story of Little Babaji.  I was thunderstruck.  This is one of the best books, ever; one that I have read over and over again, one that the children beg for and help chant the words.  I do play performances about this book for families.

And there I was, two inches away from the tigers running around the tree and Mamaji making pancakes.  Unexpected twists and turns at a museum, indeed.  Oh, there was more.  The museum displayed recent acquisitions, one of which was Paul O Zelinsky’s painting of Rapunzel, the final page of the book with Rapunzel and her family.  Wow!  Here was another great children’s book that I read, displaying the original art.  There’s nothing better than the real thing, seeing something that you have only known and enjoyed in pictures.  Museums do that.

After that heart stopping experience, I finally got to the bookstore.  Their collection of children’s books, chapter reading books and YA books is impressive.  Two hours of reading and exploring books hardly encompassed all I wanted to read.  The three books I had to buy were Take Away the A by Michael Escoffier, The Lion and the Bird by Marianne Dubuc, and My Grandfather’s Coat retold by Jim Aylesworth.

Pleasure reading can be full of learning.  The best part is that learning is a pleasure within a good book.

Jennie

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When Children Tell the Stories

Storytelling is a huge part of my classroom because it ignites the fire of listening and learning; new words, different ideas, adventure, compassion… hearing stories told aloud brings words and ideas to life.  This is exciting, because children are captivated and also absorbing big doses of language.  As they listen and think they gain a ‘golden link’, connecting the words they hear to the building blocks of complex emotions.

What’s the next step?  Having children tell the stories.  Here’s how I do this:  I show the children a picture, something that represents a host of feelings or questions.  Then I simply say, “Tell Me a Story”.  The first time I did this I showed a picture of Humphrey from the book Humphrey the Lost Whale by Wendy Tokuda.  Humphrey was on the bottom of the river, not doing very well.  The stories that children told exploded.  I couldn’t write their words fast enough.  Humphrey was either sick, sad, hungry, or lonely.  Then I asked the best question of all, “Why?”  Children couldn’t wait to answer.  This was exciting, because they had to really think.  This was hard!  We analyzed every ‘why’ from food to water to loneliness.  The more children looked at the picture of Humphrey, the more they thought.  And, the more they came up with answers.

I did “Tell Me a Story” with the Mona Lisa, and the same thing happened.  Children were captivated with telling what they thought was happening.  Did you know there is significant outdoor, woodland background to the portrait?  I didn’t know, but the children certainly picked that up when really looking at the portrait.  I never underestimate children.  The “why” question prompted a long and rather serious discussion.  It was remarkable for preschoolers, because the depth of discussion was on the level of elementary school.  Children’s minds were stretched.

Oh, the picture that children see for “Tell Me a Story” can’t be one with an obvious set of answers.  That would defeat the whole purpose.  It has to be subtle.  Children need to express their thoughts and stretch their minds.  That requires more complex pictures.

I often think that “Tell Me a Story” has the same power as my reading aloud.  Language is the foundation for learning how to read, then all the stories and reading aloud is the groundwork for learning how to think.

Goodness and knowledge.

Jennie

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Storytelling With Children

The reason storytelling has been a mainstay of communication for centuries goes far beyond imparting words to tell a story.  Words come to life when spoken aloud.  People have to listen, stretch their minds, and make the pictures in their head.

With young children this is especially important.  The brain develops first by hearing. Think about it; the primary method of instruction in school through third grade is oral. Take that a step further to telling a story, adding voices and ideas to make a child think. Those words translate into complex thoughts.  Children learn to problem solve, be brave, become accepting.  Storytelling opens a door to learning new things.

Perhaps my storytelling parallels my chapter reading, because they both give children the best learning.  There is no spoon feeding or visual or even a tangible.  It takes concentration.  Yet children beg to hear those words.  Boy, do they listen!

Last summer I wrote many of my ‘Jennie Stories’ on my blog.  One of my followers vividly remembers “The Peas and the Piano” story and pleaded with me to post it.  Of course all my stories are true, which is another element that children love; Jennie is just like the children when she was a little girl.  That’s a special bond.

“The Peas and the Piano”

It happened like this…  I really hate peas.  I always have.  At dinner it seemed like we had peas all the time.  My mother would put three peas on my plate, and I had to eat them.  It was awful, so she would give me three glasses of milk, one for each pea.  Oh, it took forever to swallow each pea with a full glass of milk.

When my parents went out to dinner my big brother and sister babysat us, and we ate dinner in the breakfast room.  Now, our big upright piano was in the breakfast room.  When we had dinner there my brother and sister didn’t pay close attention to us.  So, I would put each pea on my flat, open hand.  Then, I would aim it under the piano and flick it with the finger of my other hand.  Bingo!  Peas gone, under the piano.

This went on for a few years.  One day my mother announced she was moving the piano to wash and wax the floor.  Moving the piano!  Oh, no!  All those years of peas were there!  I left the house on my bike for the whole day.  When dinner time came I knew I had to go home.  I slowly walked into the house.  There was my mother.  One hand was on her hip and the other hand was holding a dustpan filled with a mountain of old, dried peas.  I was in big trouble!

This is one of my many ‘Jennie Stories’.  Children love them.  It’s language and learning and fun, all in one.  More stories to follow…

Jennie

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Summer Camp Play Performances

Every summer my school offers a summer camp program.  The most exciting part of my camp group (six to eight year olds) is the ‘play performance’.  It didn’t start that way at all.  Camp is camp, and that means having a real experience of outdoors, swimming, nature activities, arts and crafts, and camp songs.  Play performances seemed to evolve on their own.

Our camp has four themes.  When we are Kings and Queens, my older group is the ‘Mighty Mighty Dragons’. When we are The Wild West, my group is the ‘Mighty Mighty Mustangs’.  We’re Stingrays and Cheetahs for the Safari and Ocean units, always ‘Mighty Mighty’, of course.

It started with the Wild West years ago.  I couldn’t help but notice that the children began to do things on their own.  They built a tower for our mustang puppet, made up songs, and pretended to be different characters out west.  This was emergent curriculum, children so ready to act out something.  That ‘something’ turned out to be an incredible play performance. I can’t liken it to the success of building a difficult block structure, or learning to read, or painting the best piece of art; this play had that same level of accomplishment yet much more, because it involved the joint efforts of all the children.  That’s collaboration.  Pretty incredible for six and seven year olds.

Here’s where it gets remarkable; the children planned everything from script to costumes to parts.  I only guided and encouraged.  Well, I added the excitement of surprise by sneaking the children into the storage room to find a prop or a part for a costume.  We did this crawling the hallway and dodging all the other groups, James Bond style.  A scarf became a dress, and poster board was cut into cowboy chaps and a doorway.  The play became a special secret, even to parents.  The camp director ‘got it’ and became a spy.  Of course all of this empowered the children.

Kevin was shy, yet he seemed to like being part of the play.  When we sneaked into the storage room to look for items, he wanted to find something for his dog costume.  He found a piece of brown card stock paper and was eager to cut it out.  I saw that he was cutting out something tiny, a triangle to be exact.  “That’s my tail”, he said.  I asked what else he needed for a costume.  “Nothing”, he said.  When we walked out on stage, he stood so proud and tall.  He loved his costume.  No one else could even see it, but that didn’t matter.  Kevin knew it was there- it was his.  He walked out onto that stage with tall shoulders.  In his performance he was no longer the shy boy.

Owen often asked when his Mom would pick him up or how many hours there were in camp.  Swimming wasn’t his favorite activity, especially with the big water slide and cold water.  He didn’t have a large circle of friends at camp.  Yet when the children planned the play, he wanted to be ‘head of the cheetah family’.  There are six days in a camp session, and by day four he cried.  Day five was too much, and at drop-off Mom just took him home.  Oh, we had talked about the play on and off, and he really wanted to do it.  We even talked about his tall orange socks and how they would be a perfect cheetah costume for the play.  Day six, the last day of camp and ‘play day’ arrived.  Owen came to camp, a little unsure.  He was a star in the play!  Boy, did he pull it off with a huge smile.

I have learned along the way not to assign parts or give costumes or even have a say in the play.  Children always come up with something amazing and far more interesting than I could.  I never underestimate young children.  And, I always support their ideas.  That’s why our play performances are incredible.  When children are empowered and encouraged to do something on their own, they rise to the occasion.

Jennie

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