Teaching Patriotism

It all started with our field trip to the Shriners Circus years ago.  This circus is a perfect event for preschoolers as it’s grand but not overwhelming.  My class was seated and ready.  The circus began with lowering a big American flag and singing our National Anthem.  I had no idea this would happen.  So, of course I stood, put my hand over my heart, and began to sing.

I looked at the children and they were playing.  I looked at the parents and they were chatting away.  I was horrified.  Immediately I began rushing to each child and showing them how to stand and placing their little hands over their hearts.  I must have looked like someone who was frantically putting out fires, because that’s exactly what I was doing.  I was desperately trying to stop the ambivalence.

I knew I had plenty of teaching to do ahead.  My first step was to teach the children about our flag, since that was what they remembered from the circus.  I had a parent who was retired from the Navy bring a flag to school and tell the children all about it.  It was wonderful!  Why had I not thought about doing this before?  Seeing, touching, and learning about the flag shouldn’t wait until elementary school.  I learned along with the children.  Do you know the nickname of our flag?  I do.

My next step was our National Anthem, and there is no better book than Peter Spier’s The Star Spangled Banner to teach this to young children.  Each line in the song is a full color illustration, which ignites plenty of questions and conversation.  We poured through this book, and ended up getting a piece of American history.  We talked about how the rockets were the only source of light to see the flag.  Then we talked about battles, and flying the flag showed who was winning.  One child looked at an illustration and said, “That must be a towering steep.”  She was right!  The book includes the second and third versus, all with full illustrations.  I was surprised that I could still sing those by heart, and the children were surprised, too.

Singing; that was the next part of teaching.  We needed to sing patriotic songs.  Singing is universal when it comes to expressing the heart and soul of how you feel.  The children loved singing “God Bless America”.  After we learned the song, they decided to sing it amongst themselves and then for other classes on the playground.  They couldn’t get enough, so I arranged for soldiers to visit on Veteran’s Day so we could sing for them.  It was a wonderful event, yet the children wanted more.  I could tell.  We made a “God Bless America” book where we wrote all the words and drew the pictures.  What a treasure!  Still, this love for the song and the underlying passion for patriotism was not satisfied.

Patriotism continued to grow in the classroom.  It exploded in the best of ways.  Stay tuned!

Jennie

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Teaching: it’s The Cake and the Frosting

Our everyday learning in the classroom reminds me of a big cake. The necessary ingredients are science, math, reading, writing, language, geography and the arts. A cake is mixed by hand, just as our learning is hands-on.

And, the frosting? That’s our unit of study. It’s the fun, the glorious way to encase and show off our cake. Italy is a beautiful frosting. So was the Rainforest, and Hawaii, and India, and Jan Brett. Regardless of the frosting, or our unit of study, there is always a cake and the important learning that happens.

I thought you might like to taste some of the recent ‘cake batter’:

Reading and letter recognition, a daily constant, had an “ah-hah moment” when we read the book Froggy goes to Hawaii. The word ‘Froggy’ is in big letters on many of the pages, followed by an exclamation mark which we had just learned about. That sparked a huge interest in recognizing letters and actually sounding out words. Since then, every time we read a book that has some of the words in large print, such as Toot, Toot, Zoom or My Truck is Stuck (Literacy Tree books); we are obsessed with both recognizing the letters and sounding out the words. We then find rhyming words and sound them out.

Writing has become a popular activity. We use ‘Handwriting Without Tears’ with emphasis on the terminology of ‘lines’ and ‘curves’ and using those shapes to create letters. September introduced Mat Man, and last week our Italy writing activity had children so ready, it looked like the line at the deli counter. Children practice writing their name on paper with three lines, therefore three practices. We used a vertical surface to make the map of Italy and a pizza parlor tablecloth, and our paintings for the Art Show are done at an easel. All of these activities on a vertical surface are developing the muscles needed for writing.

Geography is highlighted so many times with studying different countries. The best part is, every time we pull out our Big Book Atlas, we become sidetracked and learn even more. We have learned about the equator, the poles, and the oceans. Children are always drawn to the map of the United States, and the learning keeps flowing. We have used the atlas to track the travels of Dr. Dolittle, and we’ll be tracking the travels of Laura Ingalls Wilder.

Math and Science has been exciting with the hatching of twenty baby chicks in the kindergarten.  The circle of life is in full glory.  Our favorite science fair activity was using a hair blow dryer to blow ping pong balls into the air and keep them steady.

Of course you know that Art and Music has been a major contributor to our ‘cake batter’ as the children made significant pieces of art, inspired by music, for our annual art show.  I bumped into a former student (now going into kindergarten) who told me she was in Washington DC last week and visited the National Gallery of Art.  I was there, too!  We marveled at the coincidence.  Then she said, “I saw the Mary Cassatt”.  I did, too!  She said, “Jennie, I saw the flower painting we learned about.”  Wow!

My classroom makes the best cakes and frostings!

Jennie

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“The Art Show” S.T.E.M. + Art = S.T.E.A.M

The Art Show is on display at last.  Thanks to science, technology, engineering and math (STEM), and plenty of inspiration, the children did it!  They created remarkable works of art, worthy of a real Art Show.

Aqua STEAM

When I look at the paintings, first I feel thunderstruck and then I step back and think about how all this happened.  I can’t help but smile as my mind goes back to a cold winter day at the Eric Carle Museum in Amherst, Massachusetts looking at abstract art, and learning about the artists that inspired Eric Carle (Picasso, Matisse, and Kandinsky).  Carle was one of the few who was allowed to view this ‘forbidden art’ when he was an art student in Germany in the late 1930’s.  It changed his life.

Back at school, I showed children pictures of major pieces of art.  They were fascinated and curious.  We talked about the brush strokes of Vincent van Gogh and how light was painted in “The Milkmaid” by Vermeer.  We found all the geometric shapes in Picasso’s “Three Musicians”.  Looking at art was fun!  Talking about it it was intense.  Every question was a pathway to learning.  We were constantly sidetracked, in the best of ways.  Emergent curriculum was brewing, and I was stirring the pot.

Then, I introduced music with my record player.  Well, first I introduced my record player which was the most fascinating piece of technology that children had seen (and heard).  Music is inspirational, and certainly inspires art.  I told the children, “The music goes into your ears, then into your heart, then out your fingers.”  They loved Beethoven, Vivaldi, and the Beatles.  Hans Christian Anderson was spot on when he said, “Where words fail, music speaks.”  The sounds of the violin and cello, oboe and clarinet, trumpet and french horn were all distinguishable.  Each sound, each instrument, each song gave children a thrill and the courage to paint.

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We started painting.  We had real tools and real paints, on palettes.  Learning the science and math behind mixing colors was not simple. Thick brush strokes or a lighter color required trial and error, and patience.  Children decided on the music they wanted to hear and they painted.  Often the painting took a long time or was revisited over many days.  After all, a masterpiece isn’t created in a day.  The finale was naming the art, and that gave children such pride.  All masterpieces have a real title. I was amazed at the scope of titles, from “Beautiful Train of New York” to “Houses in Town” to “Polka Dots” to “Mommy”.

A few children wanted to recreate one of the works of art we had seen and learned about.  Jackson was fascinated by “The Large Blue Horses” by Franz Marc.  Colin liked Vassily Kandinsky’s “Improvisation No. 26 (Rowing)”.  Look at Colin’s version alongside Kandinsky’s.  I find this remarkable.  Colin is a typical three-year-old.  He decided to name his piece “A Square House With Stripes.”

Aqua KadinskyChildren need to explore.  That’s how they learn.  Art is but one medium.  Think of the possibilities that can make a difference; nature discovery, hands-on math, reading aloud, science experiments, dramatic play.  We need to give children multiple opportunities to explore.  Then, when they want to learn more, be there and seize the moment.

Jennie

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A Spontaneous and Emergent Conversation

Transition times are tricky for both teachers and children, especially when spring arrives. Children seem to ‘feel it in their bones’, and are constantly on the move. Spring is definitely an awakening. Teachers observe this every year and foster all the discoveries and exploring that transpires, typically with movement. Yesterday we were transitioning from the Big Room to our classroom. I noticed a few children looking sad or hurt. I stopped. This was the result of children being too wiggly, and not being aware of others around them. Feelings had been hurt. I gathered the children together on the tiny rug, the one by the French doors with sunlight streaming in.

Once we sat down I said, “Do you know what happens when you’re born?” in a voice that was holding a BIG secret answer. Every child wants to know what happens when they’re born.

“You think about you. You love you. It’s wonderful.”  Pause

“Then you grow. And you think about you and your Mom and your Dad. It’s wonderful.” Pause

“Then you grow again. And you think about you, your Mom and Dad, and your brothers and sisters. It’s wonderful.” Pause

At every pause I raise my hands higher, as if I am demonstrating a flower growing. I hug myself each time I say it’s wonderful. The anticipation of what comes next has the children completely focused.

“Then you grow again. And you think about you, your Mom and Dad, your brothers and sisters, and your grandparents, aunts, uncles, cousins, and your whole family. It’s wonderful.” Pause

“Then you even grow again! And now you think about your Mom and Dad, everybody in your family…and you start school and think about your friends. It’s wonderful.” Long pause

“I want to tell you something wonderful about you.”

I did just that, looking directly at each child. From, “You have the best smile in the whole world” to “You will make the best big sister in the whole world.” each statement was true and heartfelt. The children knew that. I even stopped at my co-teacher to tell her she was one of the best teachers I’ve had the privilege working with. There was something special about every child, and I announced that to everyone.

So, what happened here? The affirmations were more than pleasurable for children. They were grounding. Much like a spring seed, those words were the sun and the rain to help them grow. Hearing the words aloud also helped children step outside of themselves and recognize that their classmates are pretty terrific, too. We all have something special, and I was able to capture a moment that could have turned into a difficult transition.

The little things are far more important than the big things. Often it’s the little things that are really the big things. This conversation was better than anything I could have planned. Spontaneity and emergent curriculum at its best.

Jennie

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Periods of Disequilibrium

Janelle Durham's avatarMore Good Days with Kids

source: http://centerforparentingeducation.org/wp-content/uploads/2014/02/equilibrium-diseqilibrium-2014-02-21-2.jpg source: http://centerforparentingeducation.org/wp-content/uploads/2014/02/equilibrium-diseqilibrium-2014-02-21-2.jpg

Does it seem to you that there are periods of time when parenting is easy? That you’ve mastered it and you’re cruising along with a well-behaved child whose needs you understand? And are there other periods when it’s all really hard? When you feel incompetent, your child is out of control, and you have no idea what they need and the things that used to work no longer work?

Did you know that’s totally normal?

And that all families experience this?

Children go through very predictable cycles, or developmental spurts. Sometimes they settle into a quiet period of equilibrium where they take time to incorporate all that they have learned and practice learned skills to the point of mastery. Whenever they’re on the verge of a new and exciting development, they go into a period of disequilibrium… there’s some new skill they can see and it’s just…

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Emergent Curriculum Through Geography

 From Grizzly Bears to George Washington.”

We read a fact book on grizzly bears, which turned into a science lesson on salmon and bald eagles, and a geography lesson on Alaska and Mount Rushmore, and a math lesson on the dollar bill, and a history lesson on George Washington. How wonderful!

When we started reading the book on grizzly bears, we needed to identify Alaska, so we opened our big map book that we dearly love and use all the time, It’s a Big, Big World Atlas, to the United States. We love geography, and always start with Massachusetts, whether we are traveling to China, or finding Alaska. We found Alaska and talked about how far away it is from Massachusetts. At this point, we hadn’t even started to read the grizzly bear story, and we spent five engrossed minutes on geography. The big map book remained propped up as we read the entire story.

Our story was about a mother grizzly bear and her three cubs, from birth in the winter, to traveling to meadows, to learning how to catch salmon, and then surviving on their own. After learning that grizzlies catch and eat salmon, we turned the page, and there was a large picture of a bald eagle. No child knew what bird this was. One child said, “A wild turkey”, and another said, “A sea gull”. Of course this was a big discussion. When I told the children that it was a bald eagle, I also told them that it was the symbol of our United States of America. You could have heard a pin drop. Then I said, “Sarah, get me my wallet!” This was exciting, and the children watched as the wallet was opened and a one-dollar bill was produced. “The bald eagle is a symbol of our country, so let’s find it on our money”. Sure enough, we found it on the back. Now it gets really interesting.

When we turned the one-dollar bill over to look at the front, I paused and asked, “How do we know that this is one dollar?” We discovered the number 1 in each corner. Then a child pointed to the center of the bill and asked, “Who is that?” Of course it is George Washington. As soon as we talked about him and presidents, a child pointed to the big map book, which had been open the entire time, and said, “There he is!” Sure enough, there was George Washington, one of the presidents on Mount Rushmore, which was one of the drawings on North Dakota.

Who knew that a book on grizzly bears and our big map book would be the catalyst to teach us so much? It was certainly a powerful way for children to learn in many different areas, all under one umbrella. Next, I’ll tell you how our geography connects to chapter reading, music, social studies and history in a concrete way.  It’s a great story!

Jennie

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Classical Music is the Inspiration for Art

Yesterday I introduced classical music to my preschool classroom, and  it was one of my best days of teaching.  This story has added wonderful twists and turns; the art of Eric Carle and Wassily Kandinsky, and the new Caldecott Honor Book, The Noisy Paintbox: The Colors and Sounds of Kandinsky’s Abstract Art which I introduced in a previous post.

“It Happened Like This…”

I brought my old record player to school and put it in the middle of the floor during our Morning Meeting.  “What do you think this is?”, I asked.  Miles said, “It looks like a suitcase that you take on a train.”  It does look like that.  Then, I opened it up to fifteen silent, transfixed preschoolers.  We looked at the parts, moved the turntable and the arm, and then turned it on.  I lifted the arm to explain that there is a needle underneath, and then rubbed the needle so they could hear the sound.  That was exciting!

Record Player

I pulled out three old albums, explaining to the children that this was music, like a CD.  In past years I have played Vivaldi – The Four Seasons or Handel’s Water Music as an introduction to classical music.  This year I played Beethoven’s Symphony No. 9.  I’m so glad I did!  The beginning is soft, so children had to pay close attention to hear the sounds.  As soon as the music of the symphony swelled, so did the children.  They lit up like a Christmas tree, and really heard all the instruments and sounds.  Megan was the first to blurt out, “I heard violins!” in the same voice as if she had found her long lost dog.  Sammy couldn’t believe he actually heard drums.  Every time they played he yelled, “I heard drums!”  We listened and tried to classify instruments for a long time.

What is it that makes this work?  Why does classical music have such a powerful effect on young children?  Listening comprehension is a huge reservoir in a child’s brain.  I know because I fill that reservoir every day with words from picture books and chapter books when I read aloud.  Yet, this music seems to do more than fill the brain.  It fills the heart as well.  Children not only search for the sounds, they feel them.  Hans Christian Anderson said, “Where words fail, music speaks.”

I opened my album cover, and low and behold there was a panoramic photograph of an orchestra.  Sammy nearly jumped out of his skin.  We had to stop and talk about a symphony, an orchestra, an audience and a conductor.  We found the instruments.  The cello is not familiar to the children, which just fuels my fire to teach them about the cello.  Emergent curriculum, you know.

As we played Beethoven’s Symphony No. 9, children wanted to dance.  That has never happened before when I played classical music in my classroom.  I was as thrilled as the children.  When a boy decided to join the dancing with gym type moves, Esme said, “This is regular, fine dancing.”  He agreed and joined in.  I sat back and watched six children dance to Beethoven – spontaneously responding to the music they heard in their own way.  Clearly, Beethoven has become an instant hit with preschoolers.  Wow!

Listening to classical music is the first step I take in my classroom when we introduce serious art, meaning creating art that is worked on over time in order to become a ‘masterpiece’.  Music inspires art.  The two naturally go hand-in-hand.  Of course I do art and music all the time in my class, but I’m talking about a much higher, more in-depth level.  When I introduce Beethoven or Handel, I introduce Picasso or Monet.  I take the time to teach children to hear sounds and learn about instruments, and to use proper paints and brush strokes.  Our art progresses as we listen to the music.  We use real watercolors from tubes, and we work on those ‘masterpieces’ over and over again, alongside Beethoven or Mozart or Vivaldi.

The power of art and music is just as important today as it was centuries ago.  I think Beethoven would smile, and would approve of our abstract art.

Jennie

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Reading Aloud = Academic Success + Pleasure

This is about more than reading; this is about academic success, learning to read, and loving to read.  It’s about young children and older children, and what happens along the way.  Here are worrisome statistics and great stories.  You should feel empowered.

Jim Trelease was spot on when he said “Reading is the heart of education.  The knowledge of almost every subject in school flows from reading.  One must be able to read the word problem in math to understand it.  If you cannot read the science or social studies chapter, how do you answer the questions at the end of the chapter?”

Parents tell me all the time about their child’s struggles in school, and it boils down to reading, whether it’s reading the homework assignment or a chapter in assigned reading.  When the parent has to step in to help with homework, it often is because of struggles with reading.  I think of how much more difficult the work must be in the classroom with the expectations of independent work.  I wish those children had been in my classroom when they were younger; I could have helped them and their parents.

Now, let’s back up from reading to reading aloud.  In order to read, and more importantly to want to read, it all starts with parents and family reading aloud to children, every day.

The statistics on reading aloud and its link to academic success in all areas is profound.  If reading is a pleasurable experience, then school work is by far easier.  Every child begins school wanting to learn to read.  In other words, we’ve got 100 percent of enthusiastic kindergarteners when they start school.  The National Report Card found that among fourth-graders, only 54 percent read for pleasure.  Among eighth graders, only 30 percent read for pleasure.  By twelfth grade, only 19 percent read anything for pleasure daily.  Yikes!  What happened?  The better question might be, what did not happen?

The seeds of not only learning to read but loving to read were not planted early.  Reading aloud to children for 30 minutes every day, starting at birth and continuing after they have learned to read, is the single best thing a parent can do to build a reader.  I know this.  When I read aloud in my classroom, it’s the time that children are totally absorbed.  Totally.  A good story, read aloud, is the best learning and pleasure experience I give to children.  It opens the door to questions and discovery.  Here is a great story from The Read-Aloud Handbook by Jim Trelease that illustrates the power of reading aloud:

We start with the family of Susan and Tad Williams and their two sons, Christopher and David.  Of the four hundred thousand students taking the ACT exam with Christopher back in 2002, only fifty-seven had perfect scores– he was the fifty-eighth.  When word got out that this kid from Russell, Kentucky (population 3,645) had scored a perfect 36, the family was besieged with questions, the most common being “What prep course did he take?  Kaplan?  Princeton Review?”  It turned out to be a course his parents enrolled him in as an infant, a free program, unlike some of the private plans that now cost up to $250 an hour.

In responding to inquiries about Christopher’s prep courses, the Williamses simply told people–including the New York Times–that he hadn’t taken any, that he did no prep work.  That, of course, wasn’t completely true.  His mother and father had been giving him and his younger brother free prep classes all through their childhood, from infancy into adolescence: They read to them for thirty minutes a night, year after year, even after they learned how to read for themselves.

Theirs was a home brimming with books but no TV Guide, Game Cube, or Hooked on Phonics.  Even though Susan Williams was a fourth generation teacher, she offered no home instruction in reading before the boys reached school age.  She and Tad just read to them—sowed the sounds and syllables and endings and blendings of language into the love of books.  Each boy easily learned to read–and loved reading, gobbling books up voraciously.  Besides being a family bonding agent, reading aloud was used not as test prep as much as an “ensurance” policy–it ensured the boys would be ready for whatever came their way in school.

By 2011, David was a University of Louisville graduate working as an engineer and Christopher was pursuing his Ph.D. in biochemistry at Duke.  Sometimes Christopher’s early reading experiences surface even in the biochemistry department, like when he remarked to his lunch mates the day after a Duke basketball loss, “I guess there’s no joy in Mudville today.”  None of the other grad students grasped the reference to Ernest Thayer’s classic sports poem.

If that story doesn’t inspire parents and teachers to read, I don’t know what will!

Jim Trelease opens his book with this wonderful quote: “We must take care that the children’s early encounters with reading are painless enough so they will cheerfully return to to the experience now and forever.  But if it’s repeatedly painful, we will end up creating a school-time reader instead of a lifetime reader.”  Beautifully said and hits the nail right on the head.

My classroom is brimming with books.  They aren’t stuffed into a basket, they’re on a front-facing shelf.  I read aloud to children twice a day and chapter read for thirty minutes every day.  Children choose to get books from our bookshelf.  They take great pleasure in looking at the pictures, turning the pages, and pointing to the words.  Looking at a book is also my classroom transitional activity.  Children leave my class with a genuine love of books and reading.  They often return to visit, and when I ask what they remember?  Reading, of course!

Used by permission of the author, Jim Trelease, 2013, The Read-Aloud Handbook (Penguin).

Jennie

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The Art Show, and How Books and Music Make the Difference

Eric Carle is a well renowned children’s book author and illustrator.  His museum in Amherst, MA  draws visitors from around the world.  The museum’s focus is on picture book art, because that’s what Eric Carle does, and he does it so well.

I went to the Eric Carle Museum yesterday;  another museum trip that left me soaring, coming away with far more than I expected.  The main exhibit was “Madeline at 75”, Ludwig Bemelman’s many illustrations of the Madeline books.  Standing three inches away from the original art of books that I have read thousands of times to children was humbling.  I could see every brush stroke, every pencil line, and even the texture of the paper.  I was frozen and consumed.  My husband had the look of, “Jennie, please do not cry or fall apart.  I would be mortified.”  I did not cry, and the next part of the museum took a remarkable turn.

In order to understand, I need to back up and tell you about the ‘Art Show’.

Each year my class creates an Art Show for the entire community displayed at the post office.  Yes, just my class of preschoolers, not the entire school.  It has become monumental in its value to the children and all the people who come to see it.  When this show first started, we were studying France, and learned about the Impressionists (and so much more).  That led to a school wide display, which was so remarkable that it was displayed for the community.  Every year it grows in accolades and viewers.  The guest book is jam packed with comments.  Why is this Art Show consistently so successful and different?

I introduce children to all types of art.  Good teachers do this.  We learn that each piece of art is a masterpiece.  But, I stop with each piece to say, “Chloe, you could do this.”, and talk about it.  Piece after piece, I make it personal to a child.  It doesn’t matter the type of art nor the child; bringing art into a real world for children is opening a door.  I’m saying to them, “You can do this.”  And they do.

We use real water color paints from tubes onto pallets.  Children learn how to mix and use paints.  They replicate brush strokes and colors.  Art isn’t created in a day, so children return to their piece over and over until they like it.  We always refer to their art as a masterpiece, because it is.  They are empowered.

The final element is children naming their work of art.  All famous artists gave their paintings a title, and so should the children.  This is perhaps the most powerful part of making art.  I never underestimate the creativity and deep feelings of young children.  Many titles have left me speechless.  I stand back and nod at weeks of hard work and interest.  Giving a work of of art a title is like hitting a home run in the bottom of the ninth with the bases loaded.  Powerful stuff for children.

Then, they get to see their masterpieces on display.  This experience is beyond words.

Back to the Eric Carle Museum, and ‘what happened next’.  The new Caldecott winners for children’s books have been announced.  I had my eye on The Noisy Paintbox: The Colors and Sounds of Kandinsky’s Abstract Art.  I often use music to inspire art.  Vivaldi’s ‘Four Seasons’ has been a favorite.  I found the book at the museum bookstore, but I found much more at the museum’s exhibit of the life of Eric Carle.  He returned to Germany in 1936, and in 1939 his art teacher showed him ‘forbidden art’, the works of Matisse, Picasso… and Kandinsky.  I thought I would jump out of my skin!  Here is the painter and the book I’m looking for, and he was one of the ‘forbidden artists’ who inspired Eric Carle.

I love museums.  Learning and discovery never ends.  Now, I am fueled up to inspire my classroom as we begin to create art and prepare for the Art Show.  Kandinsky and The Noisy Paintbox will be a great introduction.  We’ll listen to classical music, watch a symphony on the iPad, and learn about instruments.  Did you know that Kandinsky named his pieces of art after music?

Books, music, and art are all intertwined.  Each one inspires the other.  Individually they are beautiful.  Collectively they make a big impression and a powerful difference in the lives of young children.  I see this and teach this.

Jennie

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Quilting Art With Children: Milly Part II

This is the story of children, a quilter, and how they connected ideas to create art that hangs in national museums.  The first story (prior post) depicts the evolution of the Peace Quilt, and this story is the next chapter.  Milly is the master quilter.  All her work and stitching is done by hand.  She is a founding figure in the New England quilting community.  When she came into my classroom, magic happened.

The story continues, as the beautiful Peace Quilt was delivered to the National Liberty Museum in historic Philadelphia in the spring.  It is a permanent display.   Six children and their families, along with friends, relatives, and of course Milly, made the trip from New England to Philadelphia.  What a welcoming reception we received.

peacequiltbenmus

The following school year things began as usual.  Milly was now part of our class, visiting and playing with the children.  She and ‘Gloria’ bonded, to the point of trading their favorite necklaces.  Milly was often ‘Helper of the Day’, learned our calendar and weather song, and thoroughly enjoyed singing with the children.  Patriotic songs were her favorites and she gave the class a pop-up book of the song “America the Beautiful”.  We often sang “God Bless America” with Milly.  That’s where things started to change.

Children enjoy singing all types of songs and listening to a variety of music.  In my classroom, I introduce everything from Vivaldi, to show tunes, to the Beatles and in between.  We listen, sing, dance, and move.  I play a number of songs on the autoharp, including “God Bless America”.  The song quickly became a favorite!  By October many children were spontaneously singing the song in the classroom.  They began to stage themselves along the edge of the sandbox on the playground in order to sing for other classes.  Now I stepped back, watching something remarkable beginning to happen.

Children could not get enough of this song!  I had to do something.  As a proponent of emergent curriculum, I knew this was ‘a moment’,  an opportunity to bring the children into a greater learning experience.  In November we invited soldiers into the classroom for a Veteran’s Day ‘thank you’ and a chance for the children to really showcase this song.  It was successful and heartfelt, yet I knew it wasn’t enough to satisfy what the children needed.  In December we made our own classroom God Bless America book with children working together to make all the illustrations and write the words.  To this day it is my favorite classroom book.  In the words of a soldier, “Jennie, you should donate the book to the Wounded Warrior Project.”  Again, I had the strong sense that the children wanted and needed more.  This song still had a bigger job to do.

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In January Milly and the children planned a quilt, a ‘God Bless America’ quilt.  Together they studied every every word and drawing in our classroom book.  Then came the task of putting the ideas onto a big drawing.  We rolled out the butcher paper onto the floor and children decided how to illustrate mountains, prairies, home sweet home, and all the elements in the song.  It was a transformation of months of learning and work.  As the drawing came to life, I watched the children ‘find their way’, as if what they had been searching for was right in front of them at last.  Over the next few months, Milly worked her magic with the children, as she always does.  She helped them select and place all the different fabrics for the quilt.  As they watched her sew, they witnessed the remarkable evolution of a song becoming a work of art.  That’s exactly what they needed.  I knew it.

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The finished quilt was first displayed at our local post office for the whole community to enjoy.  Next, it traveled to New York City as a guest on the Intrepid Museum.  That was both thrilling and humbling.  Many children and their families attended, and Milly was the honored guest.  The final trip was to the Fisher House in Boston where it hangs as the focal point for families of wounded soldiers.  It was the staff at the Intrepid Museum who urged us to donate the quilt to the Fisher House.  What a fitting place of honor for the God Bless America quilt.  That summer, the quilt, children, and Milly welcomed the Fisher Foundation to Boston.  Yes, we sang “God Bless America” standing in front of the quilt to a packed house.  Milly received a command coin and a standing ovation.

Jennie

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