Twists and Turns at Museums, Books and Art

A trip to a museum is much like climbing into a great book with a storyline of unexpected twists and turns.  Yesterday was no exception.  I visited the Eric Carle Museum in Amherst, Massachusetts.  It has the best bookstore I have ever been in, and I am really picky when it comes to books.  My husband actually told me one day that I was a book snob.  Ouch!  “I’m just picky because I know a good book when I read one” I told him. And, so many children’s books that I read are…well, let’s just say they’re ok.  Few have the power to make my heart race or put a lump in my throat.  So many of the books at the Eric Carle Museum do just that.

Before I went into the bookstore I checked out their current exhibit.  It was the illustrations of Fred Marcellino.  I admired his artwork of Puss in Boots.  Then I turned a corner and was face-to-face with the original artwork of The Story of Little Babaji.  I was thunderstruck.  This is one of the best books, ever; one that I have read over and over again, one that the children beg for and help chant the words.  I do play performances about this book for families.

And there I was, two inches away from the tigers running around the tree and Mamaji making pancakes.  Unexpected twists and turns at a museum, indeed.  Oh, there was more.  The museum displayed recent acquisitions, one of which was Paul O Zelinsky’s painting of Rapunzel, the final page of the book with Rapunzel and her family.  Wow!  Here was another great children’s book that I read, displaying the original art.  There’s nothing better than the real thing, seeing something that you have only known and enjoyed in pictures.  Museums do that.

After that heart stopping experience, I finally got to the bookstore.  Their collection of children’s books, chapter reading books and YA books is impressive.  Two hours of reading and exploring books hardly encompassed all I wanted to read.  The three books I had to buy were Take Away the A by Michael Escoffier, The Lion and the Bird by Marianne Dubuc, and My Grandfather’s Coat retold by Jim Aylesworth.

Pleasure reading can be full of learning.  The best part is that learning is a pleasure within a good book.

Jennie

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When Children Tell the Stories

Storytelling is a huge part of my classroom because it ignites the fire of listening and learning; new words, different ideas, adventure, compassion… hearing stories told aloud brings words and ideas to life.  This is exciting, because children are captivated and also absorbing big doses of language.  As they listen and think they gain a ‘golden link’, connecting the words they hear to the building blocks of complex emotions.

What’s the next step?  Having children tell the stories.  Here’s how I do this:  I show the children a picture, something that represents a host of feelings or questions.  Then I simply say, “Tell Me a Story”.  The first time I did this I showed a picture of Humphrey from the book Humphrey the Lost Whale by Wendy Tokuda.  Humphrey was on the bottom of the river, not doing very well.  The stories that children told exploded.  I couldn’t write their words fast enough.  Humphrey was either sick, sad, hungry, or lonely.  Then I asked the best question of all, “Why?”  Children couldn’t wait to answer.  This was exciting, because they had to really think.  This was hard!  We analyzed every ‘why’ from food to water to loneliness.  The more children looked at the picture of Humphrey, the more they thought.  And, the more they came up with answers.

I did “Tell Me a Story” with the Mona Lisa, and the same thing happened.  Children were captivated with telling what they thought was happening.  Did you know there is significant outdoor, woodland background to the portrait?  I didn’t know, but the children certainly picked that up when really looking at the portrait.  I never underestimate children.  The “why” question prompted a long and rather serious discussion.  It was remarkable for preschoolers, because the depth of discussion was on the level of elementary school.  Children’s minds were stretched.

Oh, the picture that children see for “Tell Me a Story” can’t be one with an obvious set of answers.  That would defeat the whole purpose.  It has to be subtle.  Children need to express their thoughts and stretch their minds.  That requires more complex pictures.

I often think that “Tell Me a Story” has the same power as my reading aloud.  Language is the foundation for learning how to read, then all the stories and reading aloud is the groundwork for learning how to think.

Goodness and knowledge.

Jennie

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Storytelling With Children

The reason storytelling has been a mainstay of communication for centuries goes far beyond imparting words to tell a story.  Words come to life when spoken aloud.  People have to listen, stretch their minds, and make the pictures in their head.

With young children this is especially important.  The brain develops first by hearing. Think about it; the primary method of instruction in school through third grade is oral. Take that a step further to telling a story, adding voices and ideas to make a child think. Those words translate into complex thoughts.  Children learn to problem solve, be brave, become accepting.  Storytelling opens a door to learning new things.

Perhaps my storytelling parallels my chapter reading, because they both give children the best learning.  There is no spoon feeding or visual or even a tangible.  It takes concentration.  Yet children beg to hear those words.  Boy, do they listen!

Last summer I wrote many of my ‘Jennie Stories’ on my blog.  One of my followers vividly remembers “The Peas and the Piano” story and pleaded with me to post it.  Of course all my stories are true, which is another element that children love; Jennie is just like the children when she was a little girl.  That’s a special bond.

“The Peas and the Piano”

It happened like this…  I really hate peas.  I always have.  At dinner it seemed like we had peas all the time.  My mother would put three peas on my plate, and I had to eat them.  It was awful, so she would give me three glasses of milk, one for each pea.  Oh, it took forever to swallow each pea with a full glass of milk.

When my parents went out to dinner my big brother and sister babysat us, and we ate dinner in the breakfast room.  Now, our big upright piano was in the breakfast room.  When we had dinner there my brother and sister didn’t pay close attention to us.  So, I would put each pea on my flat, open hand.  Then, I would aim it under the piano and flick it with the finger of my other hand.  Bingo!  Peas gone, under the piano.

This went on for a few years.  One day my mother announced she was moving the piano to wash and wax the floor.  Moving the piano!  Oh, no!  All those years of peas were there!  I left the house on my bike for the whole day.  When dinner time came I knew I had to go home.  I slowly walked into the house.  There was my mother.  One hand was on her hip and the other hand was holding a dustpan filled with a mountain of old, dried peas.  I was in big trouble!

This is one of my many ‘Jennie Stories’.  Children love them.  It’s language and learning and fun, all in one.  More stories to follow…

Jennie

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Summer Camp Play Performances

Every summer my school offers a summer camp program.  The most exciting part of my camp group (six to eight year olds) is the ‘play performance’.  It didn’t start that way at all.  Camp is camp, and that means having a real experience of outdoors, swimming, nature activities, arts and crafts, and camp songs.  Play performances seemed to evolve on their own.

Our camp has four themes.  When we are Kings and Queens, my older group is the ‘Mighty Mighty Dragons’. When we are The Wild West, my group is the ‘Mighty Mighty Mustangs’.  We’re Stingrays and Cheetahs for the Safari and Ocean units, always ‘Mighty Mighty’, of course.

It started with the Wild West years ago.  I couldn’t help but notice that the children began to do things on their own.  They built a tower for our mustang puppet, made up songs, and pretended to be different characters out west.  This was emergent curriculum, children so ready to act out something.  That ‘something’ turned out to be an incredible play performance. I can’t liken it to the success of building a difficult block structure, or learning to read, or painting the best piece of art; this play had that same level of accomplishment yet much more, because it involved the joint efforts of all the children.  That’s collaboration.  Pretty incredible for six and seven year olds.

Here’s where it gets remarkable; the children planned everything from script to costumes to parts.  I only guided and encouraged.  Well, I added the excitement of surprise by sneaking the children into the storage room to find a prop or a part for a costume.  We did this crawling the hallway and dodging all the other groups, James Bond style.  A scarf became a dress, and poster board was cut into cowboy chaps and a doorway.  The play became a special secret, even to parents.  The camp director ‘got it’ and became a spy.  Of course all of this empowered the children.

Kevin was shy, yet he seemed to like being part of the play.  When we sneaked into the storage room to look for items, he wanted to find something for his dog costume.  He found a piece of brown card stock paper and was eager to cut it out.  I saw that he was cutting out something tiny, a triangle to be exact.  “That’s my tail”, he said.  I asked what else he needed for a costume.  “Nothing”, he said.  When we walked out on stage, he stood so proud and tall.  He loved his costume.  No one else could even see it, but that didn’t matter.  Kevin knew it was there- it was his.  He walked out onto that stage with tall shoulders.  In his performance he was no longer the shy boy.

Owen often asked when his Mom would pick him up or how many hours there were in camp.  Swimming wasn’t his favorite activity, especially with the big water slide and cold water.  He didn’t have a large circle of friends at camp.  Yet when the children planned the play, he wanted to be ‘head of the cheetah family’.  There are six days in a camp session, and by day four he cried.  Day five was too much, and at drop-off Mom just took him home.  Oh, we had talked about the play on and off, and he really wanted to do it.  We even talked about his tall orange socks and how they would be a perfect cheetah costume for the play.  Day six, the last day of camp and ‘play day’ arrived.  Owen came to camp, a little unsure.  He was a star in the play!  Boy, did he pull it off with a huge smile.

I have learned along the way not to assign parts or give costumes or even have a say in the play.  Children always come up with something amazing and far more interesting than I could.  I never underestimate young children.  And, I always support their ideas.  That’s why our play performances are incredible.  When children are empowered and encouraged to do something on their own, they rise to the occasion.

Jennie

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Boston’s Music, “Pops Goes the Fourth”

I moved to Massachusetts in 1984.  Since then, I have faithfully watched the Boston Pops perform every Fourth of July.  Back then, John Williams was the conductor.  He was the man who wrote the music for my favorite movies, “ET”, “Indiana Jones” and “Jaws”.  I couldn’t believe he was conducting the orchestra I was watching.  This was seeing all that I had been listening to for many years.  I was hooked on ‘Pops Goes the Fourth’.

Here’s what matters: the music is universal, from opera to pop to country, and everything in between.  Exposure!  Children need to hear music and see music performed.  They need to listen to different sounds; not just high and low, but sounds that make them feel and wonder.  They need to see a variety of instruments, looking and listening to the sounds they make.  They need to watch musicians play the instruments so they can make a connection with sound.  They need to wonder what it would be like to blow a horn or prop up a cello, or pull a bow across strings.  They need to imagine doing just that in order to make music.

This year I watched Melinda Doolittle sing.  One of the best parts of her performance was her saxophone player.  Then, there was the Sons of Serendipity with their harp and cello.  The sounds of those instruments took me to another place.  I thought, what if someone asked me who the artists or composers are, or what the titles of the songs are, or how I explain music to children.  Instinctively I knew the answer.  Appreciating and understanding music comes from listening and looking, feeling and exploring.  It includes both vocal and instruments.  That’s what I do.  Can a preschooler love Vivaldi or the cello?  You bet!  The Boston Pops concert does that every year.

When I was a child I loved Mickey Mouse cartoons.  I vividly remember the one with the orchestra and the wind blowing away all the musicians.  I also loved Mickey Mouse in Fantasia.  It was adulthood before I realized that classical music was the foundation for those cartoons and movies.  Walt Disney did for children what the Boston Pops does for people; bringing a variety of music and instruments into an ‘every day life’.  Genius!

Jennie

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The Real ‘Teddy’ Story, and More

This weekend I cleaned my office; the yearly organization and the game of ‘keep or toss’.  Every year I take great care with three stories that are worn and torn, written long before computers and the internet.  Those stories are my inspiration, and I will keep them long after they are yellowed and the folds are worn.  I am not a ‘fluff’ teacher; I don’t depend on, or look for feel-good stories.  I am so tuned-in to children that I instinctively follow their interest, and that makes my teaching become incredibly meaningful, for the topic and for the child.  So, why do I keep these three stories?  They just hit my heart.

One is ‘Teddy’.  Recently people on Facebook have been circulating the ‘Teddy’ story.  Unfortunately it is abbreviated.  It’s one of the stories that I keep for inspiration, even though it is probably a story drawn from a collection of the author’s many years of teaching.  I think it’s important to tell the whole Teddy story.  Yes, it is dated, yet still a wonderful story.  Here it is, and it’s a great read:

“As she stood in front of her 5th grade class on the very first day of school, she told the children an untruth.  Like most teachers, she looked at her students said that she loved them all the same.  However, that was impossible, because there in the front row, slumped in his seat, was a little boy named Teddy Stoddard.

Mrs. Thompson had watched Teddy the year before and noticed that he did not play well with other children, that his clothes were messy and that he constantly needed a bath.  In addition, Teddy could be unpleasant.  It got to the point where Mrs. Thompson would actually take delight in marking his papers with a broad red pen, making bold X’s and then putting a big fat “F” at the top of his papers.

At the school where Mrs. Thompson taught, she was required to review each child’s past records and she put Teddy’s off until last.  However, when she reviewed his file, she was in for a surprise.

Teddy’s first grade teacher wrote, “Teddy is a bright child with a ready laugh.  He does his work neatly and has good manners… he is a joy to be around.”

His second grade teacher wrote, “Teddy is an excellent student, well liked by his classmates, but he is troubled because his mother has a terminal illness and life at home must be a struggle.”

His third grade teacher wrote, “His mother’s death has been hard on him.  He tries to do his best, but his father doesn’t show much interest, and his home life will soon affect him if steps aren’t taken.”

Teddy’s fourth grade teacher wrote, “Teddy is withdrawn and doesn’t show much interest in school.  He doesn’t have many friends and he sometimes sleeps in class.”

By now, Mrs. Thompson realized the problem and she was ashamed of herself.  She felt even worse when her students brought her Christmas presents, wrapped in beautiful ribbons and bright paper, except for Teddy’s.  His present was clumsily wrapped in the heavy, brown paper that he got from a grocery bag.  Mrs. Thompson took pains to open it in the middle of the other presents.  Some of the children started to laugh when she found a rhinestone bracelet with some of the stones missing, and a bottle that was one-quarter full of perfume.  But she stifled the children’s laughter when she exclaimed how pretty the bracelet was, putting it on, and dabbing some of the perfume on her wrist.  Teddy Stoddard stayed after school that day just long enough to say, “Mrs. Thompson, today you smelled just like my Mom used to.”

After the children left, she cried for at least an hour.  On that very day, she quit teaching reading, writing and arithmetic.  Instead she began to teach children.  Mrs. Thompson paid particular attention to Teddy.  As she worked with him, his mind seemed to come alive.  The more she encouraged him, the faster he responded.  By the end of the year, Teddy had become one of the smartest children in the class and, despite her lie that she would love all the children the same, Teddy became one of her “teacher’s pets.”

A year later, she found a note under her door, from Teddy, telling her that she was the best teacher he ever had in his whole life.

Six years went by before she got another note from Teddy.  He then wrote that he had finished high school, third in his class, and she was still the best teacher he ever had in life.

Four years after that, she got another letter, saying that while things had been tough at times, he’d stayed in school, had stuck with it, and would soon graduate from college with the highest of honors.  He assured Mrs. Thompson that she was still the best and favorite teacher he had ever had in his whole life.

Then four more years passed and yet another letter came.  This time he explained that after he got his bachelor’s degree, he decided to go a little further.  The letter explained that she was still the best and favorite teacher he ever had.  But now his name was a little longer… The letter was signed, Theodore F. Stoddard, MD.

The story does not end there.  You see, there was yet another letter that spring.  Teddy said he had met this girl and was going to be married.  He explained that his father had died a couple of years ago and he was wondering if Mrs. Thompson might agree to to sit at the wedding in the place that was usually reserved for the mother of the groom.  Of course, Mrs. Thompson did.  And guess what?  She wore that bracelet, the one with several rhinestones missing.  Moreover, she made sure she was wearing the perfume that Teddy remembered his mother wearing on their last Christmas together.

They hugged each other, and Dr. Stoddard whispered in Mrs. Thompson’s ear, “Thank you Mrs. Thompson for believing in me.  Thank you so much for making me feel important and showing me that I could make a difference.”

Mrs. Thompson, with tears in her eyes, whispered back.  She said, “Teddy, you have it all wrong.  You were the one who taught me that I could make a difference.  I didn’t know how to teach until I met you.”

(For you that don’t know, Teddy Stoddard is the Dr. at Iowa Methodist in Des Moines that has the Stoddard Cancer Wing).

I will share my other two stories with you over the summer.  They are really good!

Jennie

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When Children Bring the Music

Colin and his mother came into school looking happy and half-humming, half-singing something very familiar.  Their whole presence and attitude was atypical, because they behaved as if they were actually part of the song.  I realized they were singing “Oh What a Beautiful Morning” from the musical “Oklahoma”.

Now, that was a surprise.  Of all the music I introduce to young children from Beethoven and Vivaldi, to jazz, the Beatles, and everything in between, I haven’t introduced musicals, with the exception of “Mary Poppins”.  When I was ten-years-old I was given two choices for my birthday party: a group of friends to the big amusement park, or one friend to “Oklahoma”.  Fortunately I picked “Oklahoma”, and I have never looked back.  It was my ‘golden door’ to good, live music.  It was also my awakening to music that makes you feel, laugh, and cry.  Fast forward twenty years, and I became a teacher.  Those songs opened a big door in my heart, and that is what I share and do when I teach.  It was only natural that I brought plenty of music into my classroom, as music is the soul of emotions, and therefore the foundation for children to develop goodness.  It’s much like reading the best fiction, such as Charlotte’s Web.  Both play a big role in positive character development.

When Colin and his mother came bounding into school singing “Oh What a Beautiful Morning” I joined in.  Colin is a singer and loves every song he hears.  As the day went on, we sang on the playground, in the hallway, and in the bathroom.  Other children joined in, and by lunch time we had a party of singers.  Singing is contagious!

Claire came to school wearing red, white, and blue after our Memorial Day Remembrance.  I could tell she was bursting to tell us something.  She was puffed out like a mama bird who had taught her babies how to fly.  She stood tall in front of her classmates and sang, “You’re a Grand Old Flag”.  She was so proud!  Of course we all wanted to sing along, and we did.  That contagious, infectious element crept in, as it always does with music, and we spent most of the day singing parts of the song.  Outside we marched as we sang, in the bathroom we made-up hand movements to the song.  Whenever a child started to hum or sing part of the song, I picked up the ball and ran.

When children bring music into the classroom, it’s a golden opportunity to sing.  A song from a child is a home run for a teacher, simply because the song and interest came from the child.  It is a natural way to teach values and goodness, because children learn best in a hands-on, indirect way.  Did I ask Colin if his song made him feel happy?   Did I ask Claire if her song made her feel proud?  Those questions were best answered by embracing the songs and acting upon them.  Actions speak louder than words.  This is emergent curriculum, and the learning that follows is the ‘stuff that sticks’.  How do I know?  Thirty years of children who return to visit recall what they remember and what made a difference.  Often it is music and singing.

Sing, even if it is humming or phrases.  Sing what filled your heart.  And, if children come to you singing what fills their heart, that’s as good as it gets.

Jennie

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Doctor Dave, and Art

Art can sneak up on you when you least expect it.  When that happens, open your mind and be ready.  It’s a thrilling experience.

I sliced my finger badly with a hedge trimmer…ouch!  Off to the ER after pouring a bottle of rubbing alcohol on the big flap of skin.  Not pretty.  Doctor Dave was the weekend guy at the hospital.  He was chatty and so was I.  I think he just liked talking to people, while I was probably overcompensating from fear.

I asked if he had seen the art display in the main hallway.  I had collected the best pieces of children’s art (with permission from parents) over many years.  It was a long term, lofty goal to have children’s art displayed in a central, busy location at a hospital.  Why?  Art can be one of the most soothing and peaceful things for someone at a hospital.  It can make you smile and forget your worries of the moment.  Then, there’s children’s art, which brings all those feelings to a new level.  Children’s art is pure; what is in their mind goes into their heart, and out their fingers.  At a hospital, looking at children’s art can wash away a patient’s worry.

I was at the hospital for a routine check-up a few weeks earlier.  I made a point of stopping by the hallway to see the art display.  I hadn’t seen it in some time.  Wow!  I couldn’t believe how much it surprised me; Grady’s intricate lines and coloring, Mason’s Eric Carle starfish, Troy’s American flag, Maggie’s painting on wood, and Hannah’s marker drawing on an envelope that looks like it should go onto Antiques Roadshow.  Looking at all the art was as good as it was the first time.

I always had in my mind how this would help patients.  Then, a hospital director told me, “Jennie, you have no idea how much this will do for the nurses.”  I hadn’t thought about that!  My perspective was from a patient.  When I had surgery at UMass Memorial many years ago, the waiting room was filled with children’s art, beautifully framed and titled.  That was my inspiration!  I knew I had to do the same thing at my local hospital.

Doctor Dave had not seen the art display.  He told me his wife was an art teacher, and he would definitely look at it, because art was important to both his wife and to him.  Then he told me a story:

“Jennie, when I was twelve years old I won the Boston Globe art contest.  I drew a dragon over the city.  It was eating things.  The drawing was really detailed and good.  I knew I was good at art when I was younger.  I could tell.  I loved art and drew all the time.  After I won the contest my Mom wanted me to go to art school.  She never stopped encouraging me to live that dream because she knew I was good, too.  Yet, I wanted to become a doctor.  Still, my Mom wished I would put those dreams aside and go to art school.”  What a remarkable story.

So, Doctor Dave decided to forgo art and pursue medicine.  As he stitched my finger, I told him about art education for young children, and how it impacts math and science.  The creativity and engineering that comes from the minds and hands of artists is similar to a doctor and a surgeon.  I told him that many of the best surgeons often had more childhood experiences playing outside with sticks and rocks, rather than playing on computers.  His art was his groundwork, and I can say that firsthand looking at his stitches on my finger.

Art is everywhere.

Jennie

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Chapter Reading

Chapter reading is one of our treasured moments of the day. We bring to life the imagination, the world, and the past. The anticipation of ‘what happens next’ stirs excitement every day. Children listen and think. They ask questions. Ask your child, “At chapter reading where do you make the pictures?” You will hear your child say, “In your head.”

When we finish a good book and then start a new one, emotions run high and low. The end of a good book is so satisfying and pleasant, yet…it is over. That is the wonderful roller coaster of reading. And, with each chapter book we read, we ride that roller coaster again and again.

We have just finished Little House on the Prairie, and it was thrilling; from Jack the dog getting lost in the rising creek, to building a house, to fever and watermelons, and Indians, and fire on the prairie. If your child wants to continue the series the next one, Farmer Boy is about Laura’s husband when he was a little boy. I recommend the following one, On the Banks of Plum Creek, which begins their next journey after the prairie.

The constant favorite chapter reading book is Charlotte’s Web. I hear this from former students all the time, most recently from a high school senior.  I couldn’t agree more.

These are the chapter books we have read this year. Good books are meant to be read over and over again. We encourage you to revisit these wonderful books with your child:

Charlotte’s Web by E.B. White

My Father’s Dragon by Ruth Stiles

The Story of Doctor Dolittle by Hugh Lofting

Doctor Dolittle’s Journey by Hugh Lofting

Mr. Popper’s Penguins by Florence and Richard Atwater

Little House in the Big Woods by Laura Ingalls Wilder

Little House on the Prairie by Laura Ingalls Wilder

The fundamental constant that gives children the tools to succeed in school is language. The more words that children hear, the better they will do in school. Reading aloud to children is far more than an enjoyable experience. It increases their language development! In kindergarten through grade four, the primary source of instruction is oral. The more words that a child has heard, the better s/he will understand the instruction, and the better s/he will perform in school, in all subjects. Therefore, we will always campaign to read aloud.

A wonderful guide to book recommendations and to understanding the importance of reading aloud is the million-copy bestseller book, The Read-Aloud Handbook. I have used the book since my children were little. The author, Jim Trelease, visited my classroom, the Aqua Room, and Groton Community School. We are featured in the new seventh edition of the book.

Jennie

P.S. Classroom teachers ride the roller coaster of chapter reading, too.  We are just as involved and attached as the children.  I think that’s wonderful!  Jackson sobbed when Jack the dog was lost, and I did, too.  Together we had to leave the classroom and read aloud the next chapter, where Jack finds his way home.  We had a great talk about dogs, and life in the eyes of a four-year-old.  I will always campaign for reading aloud, because I know first-hand the difference it makes.

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Teaching Patriotism and Singing, Part II

Singing and music are powerful and universal.  Is there a part of “The Star Spangled Banner” that gives you a lump in your throat?  When I sing, “…gave proof through the night”, that does it for me.  We all hold dear parts of songs that empower us.  Patriotic songs seem to do that ten-fold, and for a good reason.

Patriotic songs are about appreciating our land, freedom, peace, and hard-fought battles.  I teach these songs to children in a multitude of ways.  Of course, I use books such as The Star Spangled Banner by Peter Spier to give a powerful visual to the words.  I also tell stories about our country and use a big map of the United States to illustrate words such as purple mountain’s majesty, and mountains and prairies and oceans.

We often sing “This Land is Your Land”, and we sing all six versus of the song (did you know there are six?).  Typically we hold up the book by Kathy Jakobsen that illustrates the song, and the children want to stand up, much like holding the American flag.  When the children’s interest signals to me that something is popular, it means I need to do more.  A few years ago I created an ‘I Spy’ of many of the items illustrated in the book.  It’s a popular take-home for the children.

In my previous post on teaching patriotism, I described the opening ceremony of the Shriners Circus.  That event became my ‘wake-up call’ to teach patriotism to young children.  We learned about the American flag, and the events in the battle that became our National Anthem.  We fell in love with “God Bless America”, to the point that it is a mainstay in the classroom.  Soldiers came to hear us sing.  We made a “God Bless America” book and then we designed a quilt from all the words in the song.  Milly the master quilter worked with the children to make a quilt that is so remarkable, it hangs in the Massachusetts Fisher House.  But first, it traveled to the Intrepid Museum in New York city.  What an honor.

Think about what children learn with these many different ways I teach songs about our great country and patriotism.  I don’t wait until Memorial Day to sing patriotic songs.  Then, when Memorial Day rolls around it feels prideful to belt out these songs.  We have a Memorial Day Remembrance at school every year, with my class holding the flag and leading the school in songs.  Often we have a guest soldier speak to the children.

My two most memorable events of that day were planting flags in our Memory Garden for Greg and Travis, soldiers who had died.  A child visited those flags the following day and asked if we could sing “The Star Song”.  I knew he meant “The Star Spangled Banner”.  We sang the song together, and other children joined in.  One child told us his Uncle Jack had died in the war and asked if we could sing for him.  We did.  Then another child told us that his neighbor old Mr. Wyatt had died, and could we sing for him.  We did.  By the time we finished we had sung five times and had drawn in most of the children from the playground.  That was a wonderful day.

The second memorable Memorial Day event happened when the kindergarteners were singing, “Proud to Be an American”.  Troy was singing his heart out.  Soldier Paul, our guest at the Remembrance, was so moved that he knelt beside Troy and finished singing the song with him.  When the song was over he presented Troy with a Command Coin.  There wasn’t a dry eye in the house.

Sing, and sing often.

Jennie

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