Reading List

Language and literacy and reading, and reading aloud; this is the most important thing I teach in my preschool class, and my fellow blogger, a college English professor, has it nailed. In his own words regarding books, “they connect us as people”. I’ll bet he reads aloud to his students! It doesn’t matter if it’s preschool or college; growing readers and learning begins with good books. This is not only a testament to reading, but a list of his favorite books. Please read this terrific blog. I wish I had been a fly on the wall at his speech!

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I had the good fortune this week of delivering a talk at the Muhlenberg College Board of Associates Meeting on the topic of Great Books.  I spoke with the audience for about 20-25 minutes about what I consider to be great books and why they matter. The main argument I made about the importance of books is that they connect us as people.  I am an unreserved humanist; I believe that human beings have the power to improve themselves, that education is crucial to develop of an informed  society, and that books allow readers to experience the worlds of others.

The audience was one of professionals from many fields but very few English Literature majors; however, their interest in reading and books was heartening for me.  They wanted to hear suggestions about what books I would recommend.

In my classes, I sometimes do something I call — Chuck’s recommended readings. …

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Kindness Doesn’t Have to Cost (re-posting)

This is so beautifully simple and powerful, and the core of what I teach young children. The first point is a smile. I know firsthand the power of a smile. It happened twenty years ago in my classroom and changed my teaching. Although my teaching is rich in curriculum and learning, the root of what I teach is kindness and character.

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Teaching the Importance of Giving

My head is always spinning with excitement when I encounter or learn something new.  The pattern is predictable; ‘soak up what I see and hear’, and then ‘how can I teach this to children?’.  I am constantly on a quest to learn.  When that happens it’s a trigger, a shot of adrenaline.  Well, it’s actually more than that; it’s the foundation for how I teach young children.  If I’m excited, they will be too.  The simplicity of that statement is powerful.

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Over the past month I have visited three museums that were founded by philanthropists of the twentieth century; the Shelburne Museum in western Vermont, the Barnes Museum in Philadelphia, and Colonial Williamsburg in Virginia.  The visits were not planned, but the common denominator shouted loud and clear: Giving!

When I visit a museum I’m always excited and can often bring something to the classroom to inspire art or creativity.  Museums have been a wonderful catalyst for learning; we have designed quilts that hang in a national museum and a Fisher House, and replicated art with passion. Yet now, I realize I have a bigger challenge; teaching young children that the beginning of every great thing begins with the spirit of giving.  That is what I need to do.

Do you know Electra Havemeyer?  I did not know of her before I visited the Shelburne Museum.  She was a giver.  She is the reason the Shelburne Museum exists.  Do you know Albert C. Barnes?  I did not know of him before I visited the Barnes Museum.  He was a giver.  His entire collection, including over 140 Renoir’s are the reason the Barnes Museum exists.  Here is what he wrote in a letter to the master musician and conductor Leopold Stokowski in 1925:

“The most interesting thing in the world to me has always been a free, spontaneous expression of human nature – whether in a thought, a symphony, a poem, a painting, a statue, or an act of everyday life that shows the qualities of mind, heart and soul which, in my opinion, are the indispensables in any work of art.”

This was engraved in brass alongside an outdoor pool.  It was a freezing cold, snowy and rainy day, yet I needed to read those words over again, and remember them.  They were the beginning of what I knew I had to teach to my class of young children.  Those words influenced what I saw in these museums, into what their  founders believed.  I understood.

This is far bigger than a Renoir painting.  The whole thinking behind Barnes’ letter to Stokowski is the reason that a Renoir is displayed for the world to see.  Giving is a great shift from “me” to “you”.  That’s what a preschooler can understand.  The tricky part is teaching this on a broad scale.  That’s what I need to do, and I will.

I have a strong sense that many of the givers in the early part of the twentieth century had a larger vision.  They saw (or perhaps understood) that giving needed to reach and teach all people, and that’s why we have living museums such as Williamsburg and Old Sturbridge Village.

Learning + Excitement + Caring = Giving.

Jennie

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Teaching History With Picture Books

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As I read one of the classic children’s books, The Little House by Virginia Lee Burton, it turned out to be an unexpected history lesson.  This wonderful book begins with a charming little house on a hill, living through days and nights and the seasons.  She loves the countryside and the changes.  The early illustrations capture all the images of the seasons.  At this point in the book children are hooked, because they love the little house.  As I turned the pages they knew summer followed spring, then autumn then winter.  Each page was predictable.

The next page was the game changer.  A road is being built by the little house, yet the children couldn’t see what was happening on that page.  How could they not see?

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I went back and forth between the previous page and this page, asking plenty of questions.  Were they so focused on the house that they couldn’t see ‘the big picture’?  Once the children saw what was happening, the story changed; there was much more than just the little house.  We talked about steam shovels and trucks, and the smoke from the steam roller.  From this point forward, every page in this book shows a significant change, and we jumped in with both feet.  The tenement houses were built, and that was the trigger for history.  We talked about the buildings; they were different.  Then a child commented on the cars passing by.  Yes, they were different, too.

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The cars started most of the conversation.  I told children that my grandmother drove those cars and my mother was a little girl riding in those cars.  Generations are a concrete way to teach history to young children.  It’s their closest element to an abstract concept.  Children identify history through their parents and grandparents, and a few lucky ones may have a great grandparent.  It starts with something close to home, like a car, and that can be the catalyst to talking about history.  That’s exactly what we did.  The next page, and the next, and so on were steps in history.  Trains and subway cars were a natural curiosity, since children were captivated by cars.  Then came the twenty-five and thirty-five foot buildings.  We talked about Boston and about Groton, and who has the tall buildings.  We even imagined how high twenty-five stories would be.

Of course we never forgot about the little house, especially when she was moved from the city back to the country.  This was perhaps the most exciting page; it sparked great conversation.  Children asked how they did that, moving the house, and also asked how deep the hole was, and if the house was okay.  This is the pinnacle in education.  This page is all about math, science, engineering, kindness, history, and language.  I think that’s why children like this page.  There is so much to talk about and so much to learn.

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The rest of the book is wonderfully predictable, as it should be.  After all the lessons and learnings and dialogue that transpired while reading this book, the little house comes to rest at a new place in the country, much like where the story began.

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When I was in first grade, this was the one book I remember my teacher reading aloud.  Frankly, that is my strongest memory of first grade.  Now that I am the teacher, I have a greater understanding of how a picture book can teach history and beyond.  That’s what I do.

Jennie

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Behold the Art Show

Children were sitting together as I carefully picked up each ‘masterpiece’, mounted and framed, and labeled with a title.  They knew this was IT, seeing the results of their love and labor.  I held up each piece, one at a time, as if it were the Mona Lisa.  Then, I slowly panned each work of art to the audience and simply said the title and artist;  “The Storm the White House and the Grass, by Dillon”, “The Big Scissors, by Hannah”, “Charlotte, by Ella”.  Twenty-two pieces of beautiful art, and each one brought spontaneous comments from their peers:  Eleni said, “That is so beautiful.”  Jackson said, “Whoa!”  Frankly, each piece of art they saw drew a wonderful comment.  When I asked children, “What will all these masterpieces look like hanging together on a wall?” Miles immediately shouted out, “An art museum!”  He was right.  After carefully hanging all the art pieces, it does indeed look like an art museum.

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The Art Show this year focused on France.  Some children painted in the style of Claude Monet, some duplicated Henri Matisse’s large cut-outs, some painted freely.  We explored many artists and styles of art, from Cubism to Impressionism. We even tried our hand at Early Renaissance art, painting with gold on wood.  Children loved it all, because they were empowered with real tools, encouragement, and a free imagination.

imageBooks and reading aloud are a given in my classroom, multiple times a day.  What a big difference books make to art.  Madeline by Ludwig Bemelmans is a favorite picture book, and Avery painted a lovely rendition.

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Colin, the boy who painted in the style of Vassily Kandinsky last year, was incredibly excited to create large cut-outs in the style of Henri Matisse.  Yet, as he tried his hand with various mediums, he was drawn to Claude Monet, especially the painting, Gladioli.

imageWhen Liam tried his hand at Early Renaissance art, he was determined to use the tools to paint Vincent van Gogh’s Starry Night.

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Every year I am stunned at the end result.  You see, the real learning is in the process of doing, and the product takes care of itself.  I give children the excitement of doing with stories of art and artists.  This year I read Henri’s Scissors by Jeanette Winter.  Henri Matisse created his large cut-outs later in his life, with his assistants painting the paper for him.  Of course we had to paint our own paper to prepare for making cut-outs.  I couldn’t get the paper onto the table fast enough for the children to paint!  We learned how he drew the faces of his grandchildren on the ceiling with a long pole while in bed.

We looked at real photos of Monet’s gardens and compared them to his paintings.  I stopped to ask, “How did he do that?”  When children responded as to how, I paused as if I had learned something new.  Then I said, “Hannah, you could do that!”  She beamed and nodded her head.  That opened the door for looking at other works of art, and with each piece I repeated the same thing.  After looking at Three Musicians by Pablo Picasso and finding the geometric shapes, I said “Luca, you could do that!”  Not only did he say yes, the following week he stumbled across the art in a book and was bursting to show me.  “Jennie, look!  It’s the Three Musicians!”

So, what is happening here?  I’m teaching far more than various styles of art and about different artists; I am filling children with curiosity and giving them the validation that they can do it.  I am genuinely excited, because I know they want to learn and do.  Enthusiasm is infectious and the beginning of the process.  In this case, the magnificent masterpieces are the resulting product.

Jennie

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“Starry Night” II

I will never underestimate children and art.  This story is why.

I have been introducing a variety of styles of art to children as we prepare our annual Art Show for the community.  Currently we are learning about France, and that’s a perfect opportunity to highlight art.  We are creating ‘masterpieces’, allowing each child to work on his or her piece multiple times until they feel it is just right.

Each piece in itself holds a story, because the end result is often far more than what the child imagined, or what I expected.  Sometimes a story is so remarkable, or so startling, that it needs to be told.  This is one such story:

“It happened like this…”  I use a record player to play record albums, thus bringing music to life in a tangible way for children.  I wrote about this in a March, 2015 post.  It is the best thing I do to introduce music, all types.  Music inspires art, as music in itself fills the soul and the mind.  At Morning Meeting I played Mozart (who inspired Einstein, by the way).  Then we were ready to paint.

This day our art style was Early Renaissance.  I stained wood panels and supplied plenty of gold acrylic paint, plus other colors, and sequins.  This was the ‘real deal’.  Liam carefully watched the first two children paint.  He was anxious to paint, yet he was looking rather serious.  When it was his turn, he stepped up to the plate, much like a ball player who had an important job to do.  He asked for black paint.  “Liam, I don’t have black paint.  Here are the dark colors.”  He looked carefully and picked navy blue.  Hmm…  Then he asked for ‘regular blue’ and a little gold.  I asked him if he wanted any sequins.  He said “No” in a firm voice, then looked directly at me as he pointed to the loft and said, “I’m painting THAT.”

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“THAT” is Starry Night, our poster above the loft.  No wonder he needed dark colors and ‘regular blue’ and some gold.  Liam wanted to paint Vincent van Gogh’s Starry Night, not Early Renaissance art.  Liam went to work, and I had the pleasure of watching him create with determination.  I never said a word, except to offer more paint.  He knew the colors he needed, and he wanted to make the brush strokes; the swirls, circles, and the serpentine strokes.  Combining the right colors with the right brush strokes was his mission.  Yes, Liam was determined in the best of ways.  After his initial round, I knew this was destined to be a masterpiece.

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Those eyes said, “I like what I’m doing, but I’m not finished.”  And, he was not finished.  Later, I took the poster off the wall and put it directly in front of Liam.  As he studied the poster he asked for red paint.  Red?  Liam said, “There’s a red house at the bottom.  I have to paint that.”  In my decades of looking at Starry Night I never noticed the tiny red house at the bottom.  Liam did.  I gave him red paint, and he painted it.

Two children walked by Liam independently as he was finishing his masterpiece.  They both remarked in a matter-of-fact way, “Hey, that’s Starry Night”. And, it is!  I held the painting at a distance for Liam, as if people were looking at it in a museum.  In Liam’s words, “Perfect.  It’s finished.”

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This is the pinnacle; listening, learning, wanting, trying, and achieving.

Jennie

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Importance of Imagination

Imagination is the most exciting, and the most powerful tool I have when teaching children. It’s the foundation for learning, and for wanting to learn. The best learning that takes place in my classroom is rooted in imagination; from reading aloud to linking Einstein and Mozart… well, this blog post says it best. It captures the essence of why imagination is important. And, it is!

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Imagination is one of the most important aspects of life and of writing. We should cherish it and help develop it in others.  Here are a few quotations for your consideration:

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“I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”

                                                                                  Albert Einstein

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“Imagination will often carry us to worlds that never were, but without it we go nowhere.”

                                                                         Carl Sagan

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“Reality can be beaten with enough imagination.”

                                                                                    Mark Twain

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Picture Stories and Fairy Tales

Picture stories are powerful.  And, they are complicated.  Children have to recall what they know, then have the words to tell a story in their own way.  Our recent picture stories added even more layers of work; deciding what characters they would be and finally illustrating the stories.

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The illustrations were surprisingly detailed.  I think I know why.  In order to fully understand how we ended up with work resembling that of first grade, not preschool, let’s start at the beginning.

Our unit of study was Fairy Tales, a topic that children love.  There was already an element of familiarity, so I started by reading different versions of the stories.  In The Three Little Pigs, some books such as James Marshall’s version were funny, and some such as Paul Galdone’s were serious.  Other versions such as Susan Lowell’s The Three Little Javelinas were quite different.  This encouraged real thinking and prompted plenty of dialogue.  Those ‘W’ questions are the trigger to what I like to call ‘thinking conversations’.

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We learned the meaning of Fact and Fiction.  We talked about differences and similarities in each version.  Within the story of The Three Little Pigs we discovered geography, including the southwest, and plenty of science.  Can a wolf climb onto a roof?  How is a house built?  We needed to actually try, so I took the children on a walk to collect sticks and build a structure.  The second pig thought this was easy, but we thought it was hard.

Children spent an equal amount of time, with a similar amount of learning, exploring Goldilocks and the Three Bears and Jack and the Beanstalk.  Goldilocks opened the door (literally and figuratively) for talking about social and emotional behavior, specifically right and wrong.  We assume that children know and understand appropriate behavior, yet being confronted with situations that aren’t directed at the child (reminding them to use manners, for example), but at someone else (Goldilocks) actually makes a bigger impact.  When I stopped and said, “She walked right into the house”, that was all I needed to say in order to start the conversation ball rolling.

By this point we were so immersed in Fairy Tales that children wanted to act out their favorite one.  We took a tally vote, and Jack and the Beanstalk was the winner by a large margin.  We had learned so much about the characters that the children didn’t need costumes.  Props and staging, and of course acting, were all they needed.  The play was such a big success that weeks later children were still talking about it.

Now children were ready to write their own picture stories, the last phase in Fairy Tales.  So much had happened up to this point, so many layers of different learning, that children had both the mental tools and the passion to write and illustrate a story.  Each story is different, and each illustration is surprisingly detailed.  Very impressive, indeed.

These picture stories that are more first grade than preschool could only have happened with scaffolding; the culmination of listening, reading, conversation, questioning, hands-on building, science, and a play performance.  That’s why they’re terrific.

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Learning is a process, and Fairy Tales lend themselves to real learning in many areas.  Although Jack and the Beanstalk, Goldilocks and the Three Bears, and The Three Little Pigs were the main focus of study, children also enjoyed The Little Red Hen, Rumpelstiltskin, Rapunzel, and Little Red Riding Hood.  I think the interest and questions will continue for months.  That’s what happens when education is child-centered, interesting, and full of opportunities for learning.

Jennie

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Conversation

I often write about language and literacy because reading aloud and hearing all those words are what makes the difference in learning.  I want to introduce a new word into the mix: conversation.  That involves more than listening; it implies that we also process the information we hear…and then talk about it.  Conversation.

This week I read a book that our pen-pal preschool class in Prague loves, Little Mole and the Snowman.  Well, we definitely loved it, too!  It sparked more conversation than my preschoolers have had with a book in quite a while.

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The story was similar overall to many American picture books, yet different in the details and smaller parts of the story.  For example, in Prague most children would be familiar with mountains that are snow covered for most of the year.  That element alone, which was a thread in the story, was different.  Then, there were rescue dogs, the Saint Bernard that rescues people from snowy mountains, and the aerial tram (cable car).  The children were drawn to all the differences, and that sparked conversation.

When I read a book, I don’t just read the words.  There are so many things that happen along the way, so many questions, and so many things to notice.  It never occurred to me that reading a story meant just ‘reading the words’.  I’ve always stopped when children ask questions, and I’ve always initiated a discussion with my own questions.

Little Mole and the Snowman raised that bar of conversation.

A recent issue of The Atlantic featured an article titled  “The New Preschool is Crushing Kids” by Erika Christakis. http://www.theatlantic.com/magazine/archive/2016/01/the-new-preschool-is-crushing-kids  It is a great read, and her point boils down to conversation.  Schools today need to meet the standards, and teachers need to follow a curriculum that involves give and take, question and answer, in order for students to learn.  The problem is, they’re not learning.

Edward Zigler, a Yale professor and leader in child development and early education for a half a century, noted that in the best preschools children are given the opportunity to use and hear complex, interactive language.  Yes!  He is so right.  It’s not just asking and answering a question, it’s the dialogue that happens.  Children have to think and process what they hear, and then have a conversation.  That is learning.

The Atlantic article also notes that the focus should not just be on vocabulary and reading, but on talking and listening.  Conversation is gold.  It’s the most efficient early learning system we have.

This is what I do, every day.

Jennie

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The Art Show Begins

Children naturally gravitate to art, whether painting at an easel or drawing pictures.  Art is akin to sand and water; it triggers learning, and it’s fun for children.  Each year my class displays and Art Show for our entire community.  This has turned into a big event, because the art that children create is remarkable.  It is done over days and days.  Well, a masterpiece certainly wasn’t created in a day.  Neither are the works of art that my class creates.

Last year we studied Abstract Art, and Colin was captivated by the work of Kandinsky.  Colin really wanted to paint one of Kandinsky’s paintings, and he did.  He worked so hard:

Aqua Kadinsky

Did I mention that Colin was three-years-old?  No, he is not a child prodigy.  We simply gave Colin the tools, encouragement, and multiple days to work on his art.

When we begin our Art Show, first we have to learn about artists and art.  Over the years we have learned about Impressionism, Cubism, watercolors, and even Early Renaissance art.  Then we learn what tools they used.  We paint with real artist’s watercolor paints from a tube.  We squeeze the paint onto pallets, and mix to get the color we want.  Our brushes are from an art store with both flat and pointed tips.  Real tools help to make real art.

Music is another element to inspire children.  As they paint, we often play classical music, and the children decide which album they want to hear.  Last year Beethoven’s Symphony No. 9 was a big hit, and that was the music children wanted to hear.  I bring in my old record player and albums.  Just introducing the record player alone is edge-on-your-seat exciting.  Picking the music is really fun.  One year children wanted to hear The Supremes.

Each part of learning and preparing is child-centered; this is true emergent curriculum.  When children learn and then are empowered with making important choices, great thing happen.

We then work on our masterpieces for weeks on end.  I constantly refer to each piece of art as a ‘masterpiece’, because that word is empowering to children.  It makes a difference.  When the art is finished, each child ‘names’ their piece.  Much like the real masters, a true masterpiece has a title, a name.  This final step is a grand finale for a child, giving a big nod of approval and validating all the hard work.  We frame the art, add a label with the title and signature, and proudly show it off.  What a moment for children!

Our Art Show hangs at our post office for two months.  An accompanying Guest Book is always filled with comments.  I think the whole process of the Art Show, from introducing art and artists to naming our masterpieces is a journey of learning for both the head and the heart.

Jennie

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